Raise the Hammer
An exhibition inspired by McMaster's Parking Lot M is art speaking a new language on a current environmental issue.
By Randy Kay
Published March 04, 2013
When it sinks in. When it sinks in that visiting artist Gregg Schlanger chose to focus his considerable talent on McMaster's Parking Lot "M" for his contribution to the Mapping Paradise show, it ignited a thrill in me: here is art speaking a new language on a current environmental issue.
Visiting Artist Gregg Schlanger reviewing gallery show (Image credit: Judi Major-Girardin)
That the issue is central to what I've been working on for the past several years felt like affirmation, yes, but more - like a new force has joined the cause, which has grown to include so many within just the last year.
Gregg's work, entitled "They paved paradise and put up a parking lot," is the central defining artwork in a lively show of student work from Judy Major-Girardin's ART 2ER3 "Environmentally Responsible Studio" class at McMaster University.
The form is a low wood frame box filled with water in the middle of the gallery, with a raised, flat platform - like an oil rig in the sea - standing over the water. The platform is unfamiliar at first, until we see it in the shape of McMaster's Parking Lot M in the west campus.
Water bubbles up and breaks through the flat platform like mini geysers or springs. The work reminds us that the parking lot is built atop the floodplain of Ancaster Creek, and that the ripples of this environmental degradation still flow outward, to actively reach out to us from below.
Subconsciously, perhaps, for some, and more immediate for those who know the story of how Coldspring Valley Nature Sanctuary became a parking lot.
The paving of this bit of Cootes Paradise came around the same time that Joni Mitchell released her classic "Big Yellow Taxi" in 1970 with the refrain:
Don't it always seem to go
That you don't know what you've got
'Til it's gone
They paved paradise
And put up a parking lot
The student work in the show reveals a maturity and expressive tenderness, as in Alana Petrell's soft-modeled clay baby turtles who are in a place where a road (Cootes Drive) endangers their survival.
Detail from Alana Petrella's installation
It is their ghostly yet earthly eggs, the laying of which send the turtles on a dangerous and often deadly journey for a suitable nesting site - all so small and vulnerable to the human-built conditions, the cars and trucks speeding past.
The show is only up for the weekend, 1-4pm in Togo Salmon Hall room 114. You can check out the inspiration for the art by walking the trails in Cootes Paradise behind the gallery.
Or you can venture over to Parking Lot M to see for yourself what squats there, mostly empty, while the waters that once gave it special place status are diverted to drains.
Stand there and survey the damage, and let it sink in.
Detail from Alana Petrella's installation
First published on Restore Cootes.
By highwater (registered) | Posted March 04, 2013 at 16:53:25
Really wanted to see this but wasn't able to make it this weekend. Such a shame it was on for such a short time. Any chance of a remount?
I made a little video of the show as well: http://www.youtube.com/watch?v=z8D4oOeN2...
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