Healing Gaia

The Whale and The Raven

Mirjam Leuze's hauntingly beautiful documentary illuminates the divergent interests and issues that unite Kitimat, BC and the whales that thrive in its fjords.

By Doreen Nicoll
Published March 04, 2020

"What if self-awareness, compassion and thinking were not exclusively human affairs?"
--Mirjam Leuze, Director of The Whale and The Raven

Director Mirjam Leuze's hauntingly beautiful documentary, The Whale and The Raven, illuminates the divergent interests and issues that have focused so much unwanted attention on the town of Kitimat, British Columbia and the whales that thrive in its fjords. At the heart of the struggle is the survival of Orca, Humpback, and Fin whale communities that not only flourish together, but cohabitate and share the coastline equitably and peacefully. Unfortunately, their very survival is threatened by a proposed tanker route through their oceanic home.

Kitimat, a coastal community with a population of 8,131, is situated on traditional Haisla Territory. First Nations like the Gitga'at have lived in this area for over 1.,000 years. According to Leuze, "They have struggled since colonization to maintain sovereignty over their territories, which they still steward today."

In 2006, Enbridge proposed transporting crude oil via super tankers through the Kitimat fjord system. A diverse alliance of Canadian settlers, the Gitga'at and other First Nations people launched a legal challenge. After a ten-year court battle, the project was defeated but, the Gitga'at First Nation found itself in a precarious financial position as a result.

During that decade, other multinational corporations discovered the tanker route and set about making plans to export liquified natural gas (LNG) to Asian markets through this pristine waterway. Unfortunately, these companies had studied Enbridge's mistakes and learned how to navigate the legal system.

On October 1, 2018 LNG Canada, a consortium led by Shell, announced the start of construction on a new LNG exporting plant in Kitimat. This project will be the largest private investment in Canadian history.

Whale researcher, Hermann Meuter, describes the first time he saw whales in the wild this way, "Something inside of me decided I would wrap my life around them." The haunting and otherworldliness of whale songs also changed researcher Janie Wray's life forever. And, the two scientists have dedicated their lives and careers to saving the Kitimat whales.

Jonny Clifton, former chief of the Gitga'at First Nation, and his wife, Helen Clifton, Matriarch of the Gispudwada/Blackfish Clan in Hartley Bay, introduced Wray and Meuter to Gil Island, an isolated, uninhabited outpost where they established the  Cetacea Lab.

Wray and Meuter's research predicts the impact that construction of an LNG plant will have on the area. Of particular concern are the detrimental effects increased tanker traffic and the resulting noise will have on the sonar of the large aquatic mammals.

A network of loudspeakers brings the sounds of the whales' underwater world to those who live on shore. But, between the soothing sound of waves lapping against the rocks and the intermittent cawing of ravens in the trees, the natural silence of the ocean is jarred awake by the thudding roar of a ship's engine. Meuter angrily declares, "That's just one [ship]... only one." Meaning, it's not even a tanker let alone a fleet of them.

Leuze's film is also an exploration of relationships based on love, mutual respect, acceptance, and interconnectedness. Wray and Meuter know every whale by sight and mannerism. The whales and the Gitga'at First Nation people share an undeniable bond. The Gitga'at and the researchers share intimate moments and goals. And, ultimately all them love the primeval environment they all call home.

Leuze notes, "An agreement between the government of British Columbia and First Nations people along the proposed tanker route promises financial support to affected communities." However, "If a signatory spoke out against the LNG industry, the government of British Columbia reserved the right to suspend payments."

When asked in a phone interview to comment on what the world would lose if these whales were to disappear, Wary said, "It would be a really lonely ocean without the sounds of whales. It would be a really lonely, lonely planet without them."

The Whale and The Raven will be showing at the Playhouse Cinema in Hamilton, Ontario March 22, 24 and 25. It will also be showing at the Original Princess Cinema on March 20, 21, 22, and 23.

The Whale and the Raven is a Germany/Canada co-production of Busse & Halberschmidt; Cedar Island Films; the NFB; ZDF in collaboration with ARTE; TOPOS Film in cooperation with Vizion, with the support of the Film- und Medienstiftung NRW; the Province of BC/Film Incentive BC; Creative BC and the Canadian Film or Television Tax Credit.

Doreen Nicoll is a feminist and a member of several community organizations working diligently to end poverty, hunger and gendered violence.

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By WRCU2 (registered) - website | Posted March 08, 2020 at 10:24:07

Whale songs are indeed beautiful I agree, but what do they say when they sing? John Lilly through the use of LSD and his isolation tank, attempted to crack the code of language of intelligent sea mammals primarily with the bottle nose dolphin. We really don't know what these mammoth creatures are saying though, do we?

Maybe they are telling us something about ourselves, that they know because they have been on this water world for millions upon millions of years; That our time is short. Maybe they are telling us that their watery world is doomed due to Fukushima radiation in the northern pacific ocean? Perhaps they are just singing along with the BOOM BOOM BOOM audio they perceive from the massive tanker engines, like we do with the trunk rattling sub-woofer sounds from misguided youth's mobility machines. Does anyone really know?

I know that many indigenous cultures depend solely on sea mammals for their sustenance. Do we ban them from killing seals and whales for food so we don't lose those beautiful songs?

Silence is golden, but my eyes still see.

Oh don't it hurt deep inside
To see someone do something to her
Oh don't it pain to see someone cry
Especially when that someone is her
Talking is cheap, people follow like sheep
Even though there is nowhere to go
How could she tell he deceived her so well
Pity, she'll be the last one to know
How many times did she fall for his lines
Should I tell her or should I be cool
And if I tried, I know she'll say I lied
Mind your business don't hurt her you fool

Comment edited by WRCU2 on 2020-03-08 10:44:33

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